"The Sound of Music" Spring 2017 Musical

WILDWOOD’S PERFORMING ARTS DEPARTMENT PROUDLY PRESENTS

MARCH 15 TH - 19 TH WILDWOOD THEATER

Wildwood’s Performing Arts Department proudly presents

Music by Richard Rodgers Lyrics by Oscar Hammerstein II Book by Howard Lindsay & Russell Crouse Suggested by “The Story of the Trapp Family Singers”

Produced by special arrangement with The Rodgers & Hammerstein Organization

229 West 28th Street, New York, NY 10001 www.rnh.com

Scenes & Musical Numbers

Act One

Scene 1: NONNBERG ABBEY

Preludium................................... Nuns

Scene 2: MOUNTAINSIDE NEAR THE ABBEY The Sound of Music................ Maria

Scene 3: THE OFFICE OF THE MOTHER ABBESS, NONNBERG ABBEY

Maria. ........................................... Mother Abbess, Sister Berthe, Sister Margaretta, Sister Sophia, Sister Agnes, Sister Cecilia

My Favorite Things.................. Mother Abbess and Maria

Scene 4: THE VON TRAPP VILLA

Do-Re-Mi..................................... Maria and the Von Trapp Children

Scene 5: OUTSIDE THE VILLA

Sixteen Going on Seventeen................. Rolf, Liesl, and Dancers

Scene 6: MARIA’S BEDROOM

The Lonely Goatherd.............. Maria and the Von Trapp Children

Scene 7: THE VON TRAPP VILLA

How Can Love Survive?......... Elsa, Max, and Captain Reprise: The Sound of Music.The Von Trapp Children, Captain, and Maria

Scene 8: THE VON TRAPP VILLA

So Long, Farewell..................... The Von Trapp Children and Dinner Guests

Scene 9: THE OFFICE OF THE MOTHER ABBESS, NONNBERG ABBEY

Climb Ev’ry Mountain................. Mother Abbess and Nuns

~INTERMISSION~

Scenes & Musical Numbers

Act Two

Scene 1: THE VON TRAPP VILLA

Reprise: The Lonely Goatherd. Max and the Von Trapp Children Reprise: The Sound of Music.... Captain and the Von Trapp Children Reprise: My Favorite Things..... The Von Trapp Children and Maria Something Good......................... Maria and Captain

Scene 2: NONNBERG ABBEY

Reprise: Maria................................ Nuns Reprise: Alleluia............................ Nuns

Scene 3: THE VON TRAPP VILLA

Reprise: Do-Re-Mi........................ Maria, Captain, and the Von Trapp Children

Scene 4: THE CONCERT HALL, KALTZBERG FESTIVAL

Reprise: Do-Re-Mi........................ Captain, Maria, and the Von Trapp Children Edelweiss........................................ Captain, Maria, and the Von Trapp Children Reprise: So Long, Farewell........ Captain, Maria, and the Von Trapp Children

Scene 5: GARDEN OF NONNBERG ABBEY

Finale: Climb Ev’ry Mountain... Mother Abbess and the Full Company

Time/Place Austria, on the eve of the Anschluss (the annexation of Austria into Nazi Germany) 1938

The Cast

MARIA RAINER........................................................Elena R* / Kayla S** CAPTAIN GEORG VON TRAPP ........................Ryder M MOTHER ABBESS ..............................................Fiona M* / Lilly W** ELSA SCHRAEDER .............................................Sophie L MAX DETWEILLER ............................................Ethan G* / Nicholas D** LIESL VON TRAPP ..............................................Julia W* / Jude M** FRIEDRICH VON TRAPP ...................................Hudson J* / Olin B** LOUISA VON TRAPP .........................................Katie K* / Emily R** KURT VON TRAPP .............................................Cosimo H* / Ryder R** BRIGITTA VON TRAPP ......................................Ella K* / Emma P** MARTA VON TRAPP ..........................................Livi H* / Penelope S** GRETL VON TRAPP ...........................................Wildwood 3rd graders: Jadyn B ♣ / Emma L ♦ / Lily S ♥ ROLF GRUBER ....................................................Aidan S* / Asher K** FRANZ .................................................................Ihsan T* / Drew W** FRAU SCHMIDT .................................................Sophie U* / Dani L**

SISTER BERTHE ..................................................Viola H SISTER MARGARETTA ......................................Castelle E SISTER SOPHIA ..................................................Charlotte L SISTER AGNES /

BARONESS ELBERFELD ...................................Harlem L-W SISTER CECILIA ..................................................Sophie S HERR ZELLER .....................................................Nicholas D * / Ethan G** FRAU ZELLER / NUN .........................................Zoe S URSULA / NEW POSTULANT / NUN .....................................................................Tess F* / Pamela G** ADMIRAL VON SCHREIBER /

NAZI LIEUTENANT ............................................Leo W BARON ELBERFELD / BISHOP........................... Joshua P SOLOIST IN “PRELUDIUM”/ NUN ...................Rose R

The Cast

NUNS

Rose R Tess F Gye N B Leah U Giulia L Gia C Ruby B Samantha B Noa R

M R Loretta W Millie R T Zoe S India R Sofia F Augusta G Lily H Bronte B

Chloe B Clara M Neorah D Eliana B Stella M Pamela G Shelby B-W Bridget C L

“16 GOING ON 17” DREAM BALLET DANCERS

Tess F* Pamela G** Bridget C L

Lily H Ihsan T* Drew W**

Joshua P Leo W

DINNER GUESTS

Augusta G Millie R T Noa R India R

Gia C Loretta W Molly R Chloe B

Pablo D Sam S Jonah G Shelby B-W

SS SOLDIERS

Sam S Jonah G

Pablo D Joshua P

Leo W

FESTIVAL CONTEST WINNERS Sangerbund of Herwegen......... Stella M, Ruby B, Eliana B, Giulia L, Samantha B Das Alpenquintett.....................Gye NB, Sofia F, Bronte B, Neorah D, Rose R

* Wednesday 7pm, Friday 10am, Saturday 2pm, Saturday 7pm ** Wednesday 10am, Thursday 7pm, Friday 7pm, Sunday 1pm ♣ Thursday 7pm, Saturday 7pm

♦ Wednesday 10am, Friday 7pm, Sunday 1pm ♥ Wednesday 7pm, Friday 10am, Saturday 2pm

Production Team

Director and Producer...................................Stephanie D Musical Director and Conductor...............Daniel G Choreographer/Assistant Director...........Gustine F Technical Director...........................................Travis G Assistant Director............................................Quinn A Stage Manager.................................................Nathaniel P Vocal and Acting Coach................................Michele B Vocal Coach.......................................................Paula G Sound Designers.............................................Felix S, Jacob M Sound Board Operator..................................Felix S Lighting Designers.........................................Noah M, Sabrina S Lighting Designer Protege..........................Jeremy S Costume Designers........................................Stephanie D, Mila S

Light Board Operators...................................Sabrina S, Noah M, Jeremy S Spotlight Operators.......................................Asha F, Alex R, Joseph B, Isaac R Set Designers....................................................Stephanie D, Travis G, Olivia F, Laura F

Sound Effects....................................................Felix S Sound Effects Operator................................Quinn A Carpenters:

Travis G, Felix S, Noah M, Neil W, Todd B, Faustino E, Randy L, Gordon G-G, Milan M, Kai F, Steveen G, Will P, Ras J, Ian H, Harry V, Isaac R, Jacob B, Simon K Helper/Colleague Extraordinaire..............Melissa W B Assistant Choreographer.............................Frances G Assistant Stage Manager..............................Nnenna B Mic Crew............................................................Felix S, Quinn A, Sky R, Pamela G, Sophie U, Leo W, Ian H Scenic Design...................................................Laura F, Olivia F, Stephanie D Scenic Artists: Olivia F, Stephanie D, Lucas R, Dana B, Ashley K, Chelsea H, Gia C, Rose R, Asha F, Quinn A, MaudW, Katie K, Ella K

Production Team

Make-up.............................................................Suzie M Running Crew..........................................................Nathaniel P, Elliot K, Asha F, Nnenna B, Ras J, Simon K Set Construction/Set Painters/Tech Weekend Volunteers: Noah M, Nathaniel P, Felix S, Olivia F, Gordon G-G, Joseph B, Elliot K, Sabrina S, Milan M, Jeremy S, Sky R, Steveen G, MaudW, Lucas R, Rose R, Jacob B, Kai F, Isaac R, Jonah G, Faustino E, Randy L, Cecelia B, Asha F, Alex R, Ian H, Ras J, Harry V, Neil W, Dana B, Simon K, Sophie S, Gia C, Chloe & Josie B, Todd B, Diane F, Kayla S, Elena R, Nnenna B, Jennifer C, Madison M, Joshua P, Charlotte L, Pamela G, Orlando P, Ryder M, Quinn A, Sophie U, Jordan B, Chelsea H, Ashley K, Scott H, Katie & Ella K, Denise & Jackie F Mother Abbess costume hand-made by.......Claire R Maria party dress hand-made by.....................Mila S Stained glass piece created by..........................Katherine W Seamstresses...........................................................MaudW, Mila S, Claire R, Madison M, Ramsey M, Stephanie D Costume Assistants...............................................Gustine F, Sophie H, Mila S, Lucy O, Madison M, Quinn A Props/Furniture.......................................................Stephanie D, Rachel S, Nathaniel P, Glynis C

Shopper Extraordinaire.......................................Rachel S Program.....................................................................Kathy N B Flyer & Program Cover.........................................Alton P Professional Sound Consultant.........................Manuel B

Photography............................................................Art S Videography............................................................Jacob B Edelweiss Slideshow.............................................Stephanie D Casting Committee........................................Stephanie D, Gustine F, Daniel G, Melissa W B, Deb C, Billy D, Travis G, Maria B, Ruth G, Natasha N, Becca L Performing Arts Interns................................Maci Z, Fiona M, Felix S, Will P, Gordon G-G

The Orchestra

CONDUCTOR/PIANO Daniel G

DRUMS Abraham B

GUITAR Skye E

BASS Grayson S

CELLO Adele C

KEYBOARD /SINFONIA Myles O-G

TROMBONE Ben S

SAX Matthew G

TRUMPET Hagai I

FLUTE & PICCOLO Vanessa M

VIOLIN Melinda T • Ethan E

on The Sound of Music Director’s Notes

The Sound of Music, the final collaboration between Richard Rodgers and Oscar Hammerstein, is arguably themost belovedmusical of all time. It has a certain intangible magic that makes it unique…that makesmany of us watch the filmversion over and over again, singing along to the beautiful score. Themusical is ultimately powerful because of the amount of love that is present in it: the love of music, of family, of God, and the love between two people. We may fondly remember this musical for the adorable kids with their outfits made from curtains, but the rise of Hitler, and the complicity that enabled that rise, remains at the core of this cautionary tale. It is an opportune time to explore the need for resistance in the face of hatred, bigotry, and inequality. This is one of the main reasons I selected this musical for Wildwood at this moment in time. The historical event around which the musical revolves is the Anschluss of 1938, in which Nazi Germany swallowed Austria whole. Rather than falling in line with the Nazis, theVonTrappsabandontheirbelovedhomeland, becomingrefugees runningfrom everything they know. That final image of a family on the run, desperately hoping for the promise of a new land, is what gives this musical such powerful echoes (much like the ending of our 2013 production of Fiddler on the Roof ). I pondered long and hard about whether to include swastikas and the Nazi flag in our production. In the original production on Broadway, swastikas and the Nazi flag were not used. In fact, for most of the musical, the Nazis’ presence is offstage: mentioned but not seen.While the filmversion and subsequent professional productions included these Nazi symbols, I have decided against having swastikas on our stage. I could not in good conscience purchase armbands with swastikas, nor could I bear to search online to buy a Nazi flag. I did not want this imagery to be a set fixture in our belovedWildwood Theatre. Instead, as you will see when Captain von Trapp sings “Edelweiss”while under the watchful eye of the Nazis, I have opted to show historical images of the Anschluss. As many characters in the musical make clear, most Austrians fell into line with the Nazis without protest. 65,000 Austrian Jews were murdered under Hitler and 130,000 were forced into exile, including Sigmund Freud, painter Oskar Kokoschka, and several Nobel Prize winners and scientists. This production is dedicated to the six million we lost, to the bravery of the resistors, and to our own children who will, I hope, make this world a better place. Stephanie the director

Senior Reflections

SOPHIE L (Baroness Elsa Schraeder) Performing Arts has been the main constant in my life for as long as I can remember. My love for Wildwood, at its core, is due to the deep sense of community and belonging I feel for the Wildwood Performing Arts department. Participating in theatre at this school for the past 13 years has given me the opportunity to explore the dimensions of myself, as well

as the lengths I am able to go as an actor. Having played “Sandy” in Grease and now“Elsa Schraeder”in The Sound of Music during my last two years atWildwood, I have been allowed to bring new personal elements to characters I grew up watching onscreen. This Performing Arts Department has always felt like a safe space among my fellow actors and directors who all possess a deep sense of respect and passion for the same craft. This camaraderie is special and unique to Wildwood, and one that I will miss greatly come graduation this June. I would like to give endless thanks and gratitude to everyone who works tirelessly to put on these productions. I am excited to take on the role of director this spring, when I will be co-directing a one-act play alongside Kayla Streiber. I feel lucky to have found a home in this department and will take the life lessons I have learned here with me to college and beyond.

KAYLA S (Maria) In 2005 I lost a costume contest to a family of raindrops on roses. My sister and I were dressed up as “Silver white winters that melt into springs,” a costume that my mother put a lot of effort into. That was my first of many times at the Sing-A-Long Sound of Music at the Hollywood Bowl. There is something both beautiful and melancholy for me about singing my

favorite songs frommy childhood as I take theWildwood stage for the last time. There is a lot about Maria that I cannot relate to. For one thing, I have never prayed in my life and I most certainly do not know how to sew my own clothes. But while I may not be nearly as perky as Julie Andrews, there are some things about Maria that I do see inmyself, most poignantly her energetic persona and her palpable love for those around her. As a senior I have started to think about all of my “lasts” at Wildwood: my last Cabaret, my last All School Meeting, and my last day of school, but nothing stings more than this last. This community has been the heart of my Wildwood experience. The people are what make this place what it is, and I am eternally grateful for the friends I have made here. I have never met amore supportive, passionate, andgenerallykindgroupof people. StephanieandMelissa have been mentors to me both as an actress and in life. They have coached me through being a gangster, a bartender, a prince, a robot, and more. There is no way I can thank them enough for everything they have done for me. As sad as I amabout leaving this place that has become such an important part of me, I am excited when I think about the future. As Sister Margaretta always says, “When God shuts a door, he opens a window.”

Senior Reflections

ELENA R (Maria) I remember every opening night. Laughing quietly with my friends as we scurry to the wings, the churn in my stomach and the race of my heartbeat as the lights dim. Taking a moment to calmmyself, I hear the familiar words “Welcome toWildwood’s production of... Please turn off all cell phones as they interfere with our wireless sound system. Now sit back, relax, and

enjoy the show.”I’m know I’mhome. As a freshman inmy first musical production, The Drowsy Chaperone,Iwatchedinaweastheseniors,whohaddonethiscountlesstimesbefore,gotready to make their grand entrances. I couldn’t even imagine that there would be a time when that would be me. Flash forward to this year’s fall play, my last one, Much Ado. I stood excitedly in the wings with my best friend Kayla, red lights flooding over us, awaiting our entrance. It was closing night, and we spoke in hushed tones, dumbstruck by how quickly time flies. I’ve now done 14 productions at Wildwood, and it never gets old. From auditions to closing night rituals, every single moment I spend in this department, in this theatre, brings me an incredible amount of joy. I have no idea what I did to get this lucky, but I can honestly say that this experience has changed my life. Thank you to my best friends Kayla, Sophie, Fiona, and Mila. I want to especially thank Julian Corbett and Bella Harris for being my mentors and most importantly my friends. They encouraged my love for theater, and for that I am forever grateful. And lastly, thank you to Stephanie and Melissa. I can say, without hesitation, that they have been the best directors I have ever had.

SOPHIE U (Frau Schmidt) The theatre that you are currently sitting in has been home to some of my favorite memories from the past six years at Wildwood. From a young age, I found the art of acting engaging. The idea of becoming someone new, someone who is totally different than who I am, was enough to enchant me. Wildwood has been supportive of this desire ever since my

first audition for Anything Goes in 7th grade. I can safely say that I would not be the person I amwithout this department. For years, I have read the Senior Reflections and always thought about what I would write, however, this daydreamwas bittersweet. It feels weird, for lack of a betterword, tobewritingaboutmyexperiences in thePerformingArtsDepartment because it means that they are coming to an end, something that I am not willing to accept yet. I want to thank Stephanie and Melissa for everything they have ever done for me, whether it be helpingme to experiment with newactingmethods or being shoulders to cry on.You have both impacted my life in monumental ways, and I am so grateful to know you both. Thank you to the seniors in these productions. You have becomemy theatre family, and I don’t know what I would do without you. I am so excited to see where you all end up and am grateful we got to be in this department together. I could not imagine my high school career without rehearsals, show weeks, cast parties and strikes, and am happy that I got to be in as many productions as I did. Thank you, Wildwood Performing Arts Department, for everything. I love you. I hope you enjoy our production of The Sound of Music, we have put every part of ourselves into thismusical, and I hope you lovewatching it asmuch as I’ve enjoyed being in it.

Senior Reflections

DANI L (Frau Schmidt) I believe that the beauty of theatre lies in its ability to connect people through stories. I cannot stress enough how grateful I am for the friendships I’ve made through this department. Not only have I made new friends, but also my existing friendships have been deepened enormously by the stories we have been able to tell together. I love theatre because

it allows people to experience firsthand the truths that writers bring to the stage. As a high school student trying to findmy place in the world, it’s incredibly important for me to be able to pursue what I love. The Wildwood Performing Arts Department has been a wonderful place for me to do that. I really want to thank Stephanie and Melissa for the opportunities they have givenme and for always challengingme and pushingme to be a better actor. In this time of political turbulence, I believe it’s crucial for us to continue bringing truths to the stage. As young performers, we have a louder voice than we know. I thank not only the department but also Wildwood for giving us the platform to use our voices.

QUINN A (Assistant Director) When I came to Wildwood in 6 th grade, I only knew two people. One of them was out with pneumonia for the first month, and the other wanted nothing to do with me. I was desperate to find a community that I could feel comfortable in. Sports have never been the place for me, so I turned to Performing Arts. I was terrified of being on stage, was brand new to

the school, and had no acting experience; I was convinced that I would get the lead. Being School Kid #3 proved to be equally important. In the 7th grade I found that acting wasn’t for me. Being Passenger #2 in Anything Goes was definitely an upgrade, but I never really felt comfortable being on stage. The most fun and easy way to get involved at that point was hair and makeup; it was fun, but not easy. I realized I had no idea how to do makeup, and I got anxious while in the costume room, but I faked my way through it for the next four years. Fast forward to senior year, and I have acted, done hair, makeup, costumes, painted sets, stage managed twice, andfinally, AssistantDirectingTheSoundofMusic.My involvement in theatre started from a desire to fit in, and seven years later, it is my senior project. Most of us have grown up together in this department. Stephanie, Melissa, and Travis have watched us and supported us in becoming the actors, directors, and designers that we are today. This is the part of Wildwood that feels most like home.

SABRINA S (Lighting Designer) In trying to sum up my experience as part of Wildwood’s Performing Arts Department, I think it would be wise to say I haven’t had the most typical experience. Having transferred toWildwood in my junior year, my passion for lighting design already had a solid foundation. However, something that

Senior Reflections

I did not expect upon my arrival was my immediate acceptance I had into this department. For the first production I ever worked on at Wildwood, The Madwoman of Wall Street, I was given the opportunity to be one of the lighting designers. For this, I would like to thank Travis. You have had unwavering support for me over these past two years, and I cannot thank you enough for your faith in me. Speaking of unwavering support, I’d like to thank my parents for dealing withmycrazy theatre schedulesover theyearswhenyou justwantedsome time tosit down for a family dinner. It feels fitting that my last show is The Sound of Music, as it was alsomy last show of elementary school. Though this time I’m not playing the mildly evil Baroness Schraeder, I’m just as (if not more) excited to share this production of The Sound of Music with you. SOPHIE S (Sister Cecilia) I love being a part of the Wildwood theatre community. I first joined in 9 th grade when I landed the role of “Inspector Kemp” in Young Frankenstein. I came out of that play with new friends, a decent German accent, and a community in which I truly felt a part. Now eight productions later, the Performing Arts Department has become a second family for me. I get to surround myself with people who love this as much as I do. This department has shaped my time at Wildwood and for that I am so grateful. Thanks!

NATHANIEL P (Stage Manager) This marks my third year involved in Wildwood’s Technical Theatre program. The challenges I have faced and the people I havemet have been some of the most memorable in high school. I joined Stagecraft class in 10th grade, because I needed an arts class, and it sounded like the “least bad option.” I wasn’t particularly motivated, especially when I heard that

passing the class required me to stay after school, or sometimes come on weekends. But, by the end of that first year, I was hooked. There was something gratifying about measuring and cuttingeachpieceofwood, andeventually seeingaset come together. So, I cameback theyear after, and the year after that. This year, I was approached by Stephanie, and she offeredme the opportunity to be the Stage Manager for our production of The Sound of Music. I accepted, and it has been a fantastic journey. It’s taken some serious time and dedication to get towherewe are, and tomakewhat we have made, and I don’t regret a second of it. Many thanks and much love to Travis, who taught me everything I know, and to Stephanie, who has been a fantastic guiding force in these last fewmonths, aswell as everyone else involved in the theatreprogram. Everyonehere has helped shape who I am, and I will remember these times fondly as I navigate the next stage of my life.

photos by Charlotte L Tech Weekend

Tech Weekend

The Sound of Music. Just the namemakes me sink into a state of deep joy and happiness. When Stephanie announced that we were doing it for the spring musical, I screamed. In the all school meeting. In front of the whole school. But I didn’t even care. I was just that happy. Oneof the things thatmakes this showso special tome is its varietyof subjects.You could categorize it as many different things: a romance, a family film, a war film, a history film, a bio-pic, a drama, an adventure, a musical, maybe even a comedy. But the reason I love it so much is that it can be all of these things, and more, without conforming to just one.TheSoundofMusicwasprobablyamongoneofthefirstmoviesIeversaw.Thatiswhy, as a young child, I used to watch it with my siblings, three, maybe five times a week. Now that I’molder and busier, I watch it less. But still, whenever I’ve had a bad day or I’m feeling down,Ijustwatchthismovie,anditmakesmefeelbetter.However,theplayisacompletely different experience from the movie. While the movie is a fun and emotional classic that will never get old, the stagemusical is able to take you intoAustria in the 1930s. It is able to moveyoutotears,asitdidtomeduringEdelweiss(you’regoingtoneedtissues),andmake you sob as you recall the poor fate and fortune of the 15 million people trapped in one of the ugliest events in history. This musical, not only relevant today with the hate of certain groups soevident in themedia, gives us theability to remember a time longago, and learn from it, while keeping us upbeat and happywith some of the best songs ever written.This play is aRodgers andHammersteinclassic, filledwith fun, sadness, excitement, andoverall joy, and I am so honored to have a role in its production. I hope it is as much a pleasure for you to watch it as it was to perform it. Tess F 9th grader (Ursula, Nun, New Postulant, and The Sound of Music Super-Fan)

The Director Would Like To Thank

Daniel Götz Michele Berg Quinn A Jacob Magnin Mila S Melinda Tsapatsaris Art Streiber MaudWinchester Billy DuMone Faustino Estrada Gerald Rios Zach Menzer Glynis Costin Chay Thaopaset Grace Hwang Janet Keller Fiona M Maci Z Alan Hunt Alan Ball Annie & Molly Suzuki

Gustine Fudickar Melissa Weber Bales Nathaniel P Noah M Kathy Nagler Bobrow Hagai Izraeli Katherine Weinstock Rachel Small Reo Sorrentino Orlando Portillo Lori Strauss Collette Bowers Zinn Jeremy S Laura Forsythe Rasheda Carroll Courtney O’Connor Olivia F Techies Alberto Duarte Jodi Harris Schwartz

Travis Guba Paula Gabriel Felix S Sabrina S

Ramsey McDaniel Vanessa Mancinelli Claire Russell Alton Price Randy LaStrapes Jose Chavarria Craig Polin Gina Merrill Landis Green Sue Grieder Deb Christenson Itai Disraeli Nina A 5th Grade Teachers Katie Rios

USC Shoah Foundation Susan & Richard Fybel Chelsea Hadley Denise Freed Concessions/Meals/ Ticket Helpers Parents of the Cast, Crew, and Orchestra

Olivia & Jonah D Jennifer Chatham

Dana Barker Gia Carides Diane Fresco Todd Barrett Scott Hutchinson

Madison M Neil Wilson Ashley Kramer Kate Hudson

COMEAUDITIONFORWILDWOOD’SSTUDENTDIRECTEDPLAYS! All Divisions are Welcome

AUDITIONS Wednesday, April 12 & Thursday, April 13 REHEARSALS April 17 - May 16 PERFORMANCES May 17 - May 20

Directed by Elena R

Information will be outside the Performing Arts Office the week of March 20. If you are interested in auditioning, please sign up! Any questions or concerns? Email us:

Directed by Sophie U

mbales@wildwood.org sdarby@wildwood.org

Directed by Sophie L & Kayla S